MUSIC VIDEO PLANNING
Statement of intent draft 2:
I will make a 2-3 minute music video with an accompanying music magazine. The song i have chosen to do is called 'I'm not racist' by Joyner Lucas, the genre of the song is rap/ hip-hop. I plan on adopting some of the features of the original music video such as the cinematography used. I have chosen this genre because it initially gave audiences an insight into the lives of young, black, urban people and also gave them a voice. Tricia Rose has criticised commercial hip hop and suggests black culture has been appropriated and exploited by capitalism. I aim to use the genre of hip hop for what it used to be about and shed light on politics, race and history. I will include Todorov's theory of equilibrium ,in the beginning both men have an existing state where they hold prejudice against each other and have suppressed feelings. The disequilibrium will be when they are expressing their feelings and anger, they both become aggressive and frustrated. The new equilibrium will be when they actually listen to how the other feels and their reasons for it and then they hug. I will incorporate Goodwin's conventions of a music video by including a relationship that amplifies and contrasts the lyrics and the visuals. I will have close up shots of the artist to highlight his 'star image'. I will also have inter textual references between the lyrics and other media texts.
The purpose of the music video is to highlighting the significance that racism isn't always overt and to subvert negative stereotypes of black men.I think my music video would appeal to a variety of different audiences as it can link to today's society for instance the black lives matter movement, gun violence and police brutality which are all current topics and are still relevant. More specifically i think it would appeal to younger audiences such as teenagers and young adults as they are more impressionable and are more involved in current issues and many of the black lives matter protests where organised by young people which shows that they have an interest in politics.I think using music to relate to young people is an effective way of targeting them as they typically listen to the genre of rap so they are likely to be interested in seeing the video.The music video would appeal to mainstream audiences as the concept of the video links to the Netflix documentary by Ava DuVernay 13th which is about the oppression that black people have faced and the systematic racism that caused so many black people to be incarcerated. Applying Blumler and Katz's Uses and gratifications theory, audiences will use the music video as surveillance as they will be learning about the experiences of black people in terms of the opression they have faced but in a way that they can engage with as it is in the form of a music video.Additionally, i think many people are likely to see the video seeing as the original video was well received with 142 million views and 3.4 million likes. This means that the sponsorship will give the headphone brand a lot of customers.
The music video will be representing black people, more specifically black teenagers. This will be achieved through casting of black people and scenes showing black youth. Applying the uses and gratifications theory, audiences may feel some personal identity due to relatability to characters when they see black people being represented. Gilroy's work on double consciousness can also be applied as the music video will give black people another lens to see themselves through that isn't from the perspective of the white gaze. Black diasporic identity can be applied as in the music video there is the sense of not belonging or being accepted from the lyrics and it will be amplified with matching visuals.
In terms of cinematography, i'm going to use similar camera movements and shots from the original video.My music will focus on the narrative and i will emphasise this with editing to and camera movements/angles. It will include many close up shots and camera movements. I will use cross cuts and match on action to help emphasise the clear differences and contrast between the two men. I will be using low key lighting which creates heavy shadows around the characters and makes the environment seem cold and empty. This will also be used to highlight London urban culture. I will use blue and grey tones to emphasise the brutal conversation between the characters. This is also so that it doesn't take away from the important political message and narrative. For costuming i will use stereotypical clothing associated with black youth, this includes hoodies,trainers and puffer jacket. The effect of using stereotypical clothing to contrast with the actions he does everyday for example shots of him spending time with his family, going to the park, studying, doing homework. This will be visualising how society seems him and then contrasting it to show how he actually is. This will be linked to Medhurst's idea of stereotypes being a shorthand as my music video will include many stereotypes of black people that have been created by society such as the way they dress . I will use Stuart Hall's theory of race representations in the media by blurring race and class and the black character will fit into the role of ' The Native' which Hall describes as primitive, savage, criminal which is how society sees black people. But i will also rebut these stereotypes when the black man starts talking about his side and perspective and showing shots from his everyday life, highlighting how black people are misunderstood and mislabelled. For mise-en-scene, the filming locating will be in Hayes in locations linked to urban environments, there will be shots in alleyways, roads,blocks of flats and parks.
I have taken inspiration from music magazines like Billboard for the concept of my magazine. I will include synergy by using the same character in both the magazine and music video. I also intend to you use similar colour schemes in both the magazine and music video including grey,black and blue. The typography will be in the font 'Profoma' as it is a conventional font for many magazines and it is clear and easy to read. For the central image i will have both the white and black character in my music video back to back with building behind them that mirror their backgrounds to highlight the contrast between them. Levi Strauss' theory of binary oppositions can also be applied here as it shows the opposing main characters and this helps thicken the narrative. Their posture will look as if they are rivals which will create enigma codes for the audience which will engage them and questions in their minds. I will have cover lines related to the music video to promote my artist as well as a cover line to promote the headphone sponsorship.
Shot list
Shot No. | Shot | Filmed ? |
1 | Establishing shot of upper middle class neighbourhood |
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2 | Panning sideways of buildings, shops |
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3 | Dutch angle tilt of buildings |
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4 | Low angle of white man walking |
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5 | Close up of his shoes- fast paced-montage |
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6 | Close up of h is watch- fast paced-montage |
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7 | Close up of his tie-fast paced-montage |
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8 | Panning upwards from feet to head |
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9 | Medium shot of him walking |
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10 | Close up of him lip syncing |
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11 | Long shot of him walking and lip syncing |
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12 | Zoom in on his hand as he waves the camera into the sky |
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13 | Over the shoulder shot of him walking in the neighbourhood |
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14 | Next scene is a luxury cafe |
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15 | 360 shot of the cafe |
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16 | Zoom in to the man sitting |
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17 | POV Shot of the surroundings |
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18 | Close up of lip syncing |
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19 | Establishing shot- of working class, urban neighbourhood |
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20 | Close up of his shoes as he is walking |
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21 | Panning shot, low to high of the area |
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22 | Close up shot- feet of a man walking |
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23 | Panning shot up his legs stops midway |
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24 | Panning shot sideways of the neighbourhood |
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25 | Medium shot- waist up |
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26 | Over the shoulder shot while walking |
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27 | POV shot of the neighbourhood |
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28 | Close up shots on his shoes, jacket, hoodie- fast paced editing-part of montage |
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29 | Close up on his face |
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30 | Extreme close up on his eyes |
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21 | Medium shot of him walking |
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32 | Close up of him walking |
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33 | Panning up blocks of buildings |
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34 | Extreme long shot of both men walking towards each other |
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35 | Quick zoom in of both of their faces |
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36 | Close up as white man gets into the black man's face shouting |
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37 | Zoom out of their face to long shot |
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38 | Panning shot upwards of their bodies |
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39 | Medium shot of them waist up facing each other while one is lip syncing |
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40 | Camera moves out of frame sideways to the right |
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41 | Camera comes back into shot from the left- transition |
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42 | Long shot of them both sitting facing each other on the opposite sides of a table |
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43 | Camera rotates around white man’s head and transitions to rotating around the black man's head |
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44 | Medium shot of him rapping |
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45 | Back and forth close ups of their faces |
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46 | Close up of the black man’s hands as he slams the table |
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47 | Zoom in on white man’s face while he is shaking his head |
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48 | Long shot of them sitting leaning against the table |
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49 | Zoom in to medium shot |
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50 | Over the shoulder of the white man |
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51 | Over the shoulder of black man |
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52 | Medium shot of both of them in the same frame |
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53 | Zoom out to long shot |
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54 | Transition to white man as he listens |
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55 | Flashback-Medium shot of black man studying |
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56 | Close up of him writing |
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57 | Close up lip syncing |
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58 | Long shot of him with friends |
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59 | Close up of the friends laughing |
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60 | Long shot of him walking towards the camera |
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61 | Medium shot -360 |
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62 | Medium shot- lip syncing |
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63 | Panning shot up his body |
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64 | Long shot -presenting in class |
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65 | Close up of his hands moving |
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66 | Close up of his face while talking |
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67 | Extreme close up of his lips while talking |
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68 | Medium shot walking toward camera |
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69 | Establishing shot of school |
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70 | Zoom in of friends |
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71 | Long shot of him socialising with friends |
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72 | Medium shot of him sitting on a chair |
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73 | Zoom in of his face |
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74 | Extreme close up of his eyes |
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75 | Extreme close up of his mouth |
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76 | Close up of his hands hitting the table |
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77 | Long shot of his body from the side |
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78 | Close up of his face from the side |
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78 | Long shot of him walking- angry and frustrated |
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79 | Medium shot of while lip syncing |
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80 | Close up of his hands and they move to the sky |
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81 | Shot of the sky |
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82 | Panning downwards from the sky |
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83 | Shot of puddles and mud |
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84 | Moving low angle shot of his feet |
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85 | Long shot of him walking from the back |
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86 | Over the shoulder shot- can see the neighbourhood |
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87 | Establishing shot of the setting- bridge, trees etc |
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88 | Shot of the river |
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89 | 360 pan around him |
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90 | Zoom in when the 360 goes back to his face |
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91 | Extreme long shot of him and the setting |
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92 | Close up of a lake |
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93 | Moving shot of the lake water moving |
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94 | Panning shot upwards towards the sky |
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95 | Panning shot back to the artist |
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96 | Shot of the silhouette of the artist |
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97 | Zoom in to the shadow |
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98 | Zoom out of shadow back to the empty room with the table |
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99 | Zoom in to them sitting across from each other |
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100 | Close up of black man lip syncing |
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101 | Extreme close up of the white man’s eye |
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102 | Zoom in of the eye |
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103 | Zoom out of the black man’s eye - transition |
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104 | Zoom out to close up shot of his face while he is lip syncing |
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105 | Close up to his lips |
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106 | Close up of his hands moving on the table |
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107 | Long shot as both men stand up |
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108 | 360 rotating around both their bodies |
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109 | Panning upwards |
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110 | Long shot as they walk toward each other |
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111 | Close up both of their faces- fast paced |
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112 | Medium shot as they hug |
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113 | Rotate around them as they hug |
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114 | Zoom out to long shot |
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115 | Zoom out to extreme long shot until it goes blurry |
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Mise-en-scene:
Costume- urban, street style clothes- big jacket, hoodie, trainers, durag, formal trousers,shirt,shoes
Lighting- natural lighting, low key lighting, shadows
Setting- poor, working-middle class neighbourhood, rainy, cloudy day- adds to the harsh atmosphere, middle/upper class settings, alleyways, roads, blacks of flats, park, school,house
Cast- young black man for the preliminary task, black youth
Props- headphones, phone,basketball, pen, paper, computer
Treatment:
Scene 1: Consists of establishing shots of the setting which is an upper middle class neighbourhood with high rise buildings, cafes etc.
Scene 2: Slowly introduces one of the characters using a series of shots like close up shots of his shoes, watch, tie etc which creates a montage and slowly reveals the character
Scene 3: When the character is fully revealed there will be close up shots of his face while he is lip syncing which is part of the performance element of my music video
Scene 4: The man is in a nice cafe which seems like it is luxurious and for wealthy people, he is sitting and this scene focuses on acting as if this is part of his normal life
Scene 5: This consists of an establishing shots of the environment which appears to be an urban working class neighbourhood which fits the conventions of rap/hip hop genre
Scene 6: Introduces the artist/ main character- like the other characters there will be a variety of shots which will be edited in a fast pace to make it seem like a montage- this will include shots of his shoes, jacket, chains etc which fit the stereotypes of black teenage men
Scene 7: More of the performance element as he is walking towards the camera, lip syncing acting as if he is frustrated and angry while there will be a range of shots and camera angles of him
Scene 8: This will include a lot of editing that will contrast the environments of the two men and the editing will make it seem like they're walking towards each other to find a common ground and resolve conflict
Scene 9: This is where the characters meet and there will be 360 degree shots, long shots, close up of when they meet each other and highlights the conflict/ divide between the characters
Scene 10: They are in a low lit, eery, empty room both sitting with a table between them further highlighting the divide and hostility between them, close up camera shots of their faces while one is rapping and the other is listening, the one rapping gets angry and starts walking around the table and slams it
Scene 11: This is a flashback scene of the black man in school studying and with his friends, the purpose of this is to contradict the white man's view of black people being dangerous/ savage etc
Scene 12: Continues the flashback scene with establishing shots of the school and zoom ins of the man socialising and having fun with his friends
Scene 13: This is of the black man alone while he is walking in a dark neighbourhood with a bridge, lake, park, trees etc, he is walking towards the camera while he is rapping, variety of camera shots such as low angles, long shots, 360 panning etc
Scene 14: Back to the two men sitting in the room in front of the table while the black man is rapping and in this part of the song his voice goes low again
Scene 15: This is where they come to an understanding as they both listened to each others perspectives and display empathy, they both stand up and hug eachother
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